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The Book of Enoch Page 4


  2:2

  Desire milk

  8

  Do not desire food

  1:24

  Flesh as grass

  9

  Breath that passes

  Faith tested

  Spirits tested

  1:7

  Found praiseworthy

  9

  Found pure

  3:9

  Bless, blessing

  9-10

  Bless, blessing

  3:16; 4:4, 16

  Reproach, insult, abuse

  7, 10

  Reproach, insult, abuse

  2:9

  Blessing by contrast

  10

  Blessing by contrast

  2:9

  Summoned from darkness to light

  11

  Summoned from darkness to light

  5:4, 6

  Exaltation

  12

  Exaltation

  1:17; 2:23

  Righteous Judgment

  13

  Righteous Judgment

  The Book of Enoch for Christians Today

  1 Enoch is a fascinating ancient manuscript with a long historical pedigree of value and respect within Judaism and Christianity. It is the only known source text explicitly attributed in Scripture that we possess with some manuscript certainty. It provides a helpful look into Second Temple Judaism and the development of Intertestamental interpretations that have influenced the New Testament doctrines of Messiah and his kingdom, the Son of Man, demons, resurrection, final judgment, and other eschatological imagery.

  Evangelical Christians who uphold a high view of Scripture and its inspiration are uncomfortable with 1 Enoch because of its controversial ideas like the Watchers/Giants storyline and its astronomy based on ancient cosmology. Because the book is divided into five “books” or sections that were redacted over several centuries, skepticism of its contents is understandable.

  But the preponderance of evidence shows that not only does the New Testament letter of Jude quote directly from 1 Enoch 1 (Book of the Watchers), but the entire letter and its alternate version in 2 Peter, show signs of literary and theological dependency on the rest of the Book of the Watchers (Chaps. 1-36), as well as chapter 80 (Book of Luminaries), chapter 46 (Book of Parables), and chapter 100 (Epistle of Enoch). 2 Peter shows evidence of structural and thematic dependency on 1 Enoch 17-22 and 108 (Additional Books). But the fact is, the entire New Testament shows such a multitude of allusions and linguistic echoes of the entire corpus of 1 Enoch, that one can safely say, the book and its basic interpretations may not be Scripture, but are surely legitimated by the Bible and are therefore worthy of study and high regard by the Christian Church.

  This article originally appeared as a chapter in the book, When Giants Were Upon the Earth: The Watchers, The Nephilim and the Biblical Cosmic War of the Seed by Brian Godawa. Available on Amazon.com.

  Brian Godawa is the screenwriter of To End All Wars and the author of Hollywood Worldviews: Watching Films with Wisdom and Discernment (InterVarsity Press) and Chronicles of the Nephilim, a Biblical Fantasy series of novels that explores the Enochian themes of the Nephilim and the Watchers throughout the entire Bible. www.ChroniclesOfTheNephilim.com

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  How God Captures the Imagination

  This book was previously titled Myth Became Fact: Storytelling, Imagination & Apologetics in the Bible.

  Brian Godawa, Hollywood screenwriter and best-selling novelist, explores the nature of imagination in the Bible. He explains how God subverts pagan religions by appropriating their imagery and creativity, and redeeming them within a Biblical worldview. Improve your imagination in your approach to glorifying God and defending the faith.

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  God verbally attacked his opponents, pagans and their gods, using sarcasm, mockery, name-calling.

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  A detailed comparison and contrast of the Biblical picture of the universe with the ancient pagan one. What’s the difference?

  New Testament Storytelling Apologetics

  Paul’s sermon to the pagans on Mars Hill is an example of subversion: Communicating the Gospel in terms of a pagan narrative with a view toward replacing their worldview.

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  Art, Creativity and Truth in the Bible

  In his refreshing and challenging book, Godawa helps you break free from the spiritual suffocation of heady faith. Without negating the importance of reason and doctrine, Godawa challenges you to move from understanding the Bible “literally” to “literarily” by exploring the poetry, parables and metaphors found in God's Word. Weaving historical insight, pop culture and personal narrative throughout, Godawa reveals the importance God places on imagination and creativity in the Scriptures, and provides a Biblical foundation for Christians to pursue imagination, beauty, wonder and mystery in their faith.

  This book was previously released with the title, Word Pictures: Knowing God Through Story and Imagination.

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  “Brian Godawa is that rare breed—a philosopher/artist—who opens our eyes to the aesthetic dimension of spirituality. Cogently argued and fun to read, Godawa shows convincingly that God interacts with us as whole persons, not only through didactic teaching but also through metaphor, symbol, and sacrament.”

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  “A spirited and balanced defense of the imagination as a potential conveyer of truth. There is a lot of good literary theory in the book, as well as an autobiographical story line. The thoroughness of research makes the book a triumph of scholarship as well.”

  — Leland Ryken, Clyde S. Kilby Professor of English, Wheaton College, Illinois

  Author, The Christian Imagination: The Practice of Faith in Literature & Writing.

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  Video Lectures

>   The Book of Enoch: Scripture, Heresy or What?

  This lecture by Brian Godawa will be an introduction to the ancient book of 1Enoch, its content, its history, its affirmation in the New Testament, and its acceptance and rejection by the Christian Church. What is the Book of Enoch? Where did it come from? Why isn't it in the Bible? How does the Book of Enoch compare with the Bible?

  Available on video.

  Chronicles of the Nephilim: The Ancient Biblical Story

  Watchers, Nephilim, and the Divine Council of the Sons of God. In this dvd video lecture, Brian Godawa explores the Scriptures behind this transformative storyline that inspired his best-selling Biblical novel series Chronicles of the Nephilim.

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  About the Author

  Brian Godawa is the screenwriter for the award-winning feature film, To End All Wars, starring Kiefer Sutherland. It was awarded the Commander in Chief Medal of Service, Honor and Pride by the Veterans of Foreign Wars, won the first Heartland Film Festival by storm, and showcased the Cannes Film Festival Cinema for Peace.

  He also co-wrote Alleged, starring Brian Dennehy as Clarence Darrow and Fred Thompson as William Jennings Bryan. He previously adapted to film the best-selling supernatural thriller novel The Visitation by author Frank Peretti for Ralph Winter (X-Men, Wolverine), and wrote and directed Wall of Separation, a PBS documentary, and Lines That Divide, a documentary on stem cell research.

  Mr. Godawa’s scripts have won multiple awards in respected screenplay competitions, and his articles on movies and philosophy have been published around the world. He has traveled around the United States teaching on movies, worldviews, and culture to colleges, churches and community groups.

  His popular book, Hollywood Worldviews: Watching Films with Wisdom and Discernment (InterVarsity Press) is used as a textbook in schools around the country. His novel series, the saga Chronicles of the Nephilim is in the Top 10 of Biblical Fiction on Amazon and is an imaginative retelling of Biblical stories of the Nephilim giants, the secret plan of the fallen Watchers, and the War of the Seed of the Serpent with the Seed of Eve. The sequel series, Chronicles of the Apocalypse tells the story of the Apostle John’s book of Revelation, and Chronicles of the Watchers recounts true history through the Watcher paradigm.

  Find out more about his other books, lecture tapes and dvds for sale at his website www.godawa.com.

  * * *

  [1] Most Bible passages quoted in this article are from The Holy Bible: English Standard Version (Wheaton: Standard Bible Society, 2001). Variations are from the New American Standard Bible: 1995 Update (LaHabra, CA: The Lockman Foundation, 1995).

  [2] Claus Westermann, A Continental Commentary: Genesis 1–11 (Minneapolis, MN: Fortress Press, 1994), 358.

  [3] Gordon J. Wenham, Genesis 1–15, vol. 1, Word Biblical Commentary (Dallas: Word, Incorporated, 1998), 128.

  [4] James Charlesworth, The Pseudepigrapha and Modern Research, With a Supplement (Septuagint and Cognate Studies Series, No. 7) (United Kingdom, Scholars Press, 1981), p 25.

  [5] Duane A. Garrett, Rethinking Genesis: The Sources and Authorship of the First Book of the Pentateuch (Grand Rapids, Baker Bookhouse, 1991). Richard Elliott Friedman, “Torah (Pentateuch),” ed. David Noel Freedman, The Anchor Yale Bible Dictionary (New York: Doubleday, 1992), 618.

  [6] Loren T. Stuckenbruck, “The Epistle of Enoch: Genre and Authorial Presentation,” Dead Sea Discoveries 17 (2010) 395-96.

  [7] J. H. Charlesworth, “Introduction for the General Reader,” in The Old Testament Pseudepigrapha, vol. 1 (New York; London: Yale University Press, 1983), xxv.

  [8] See James H. Charlesworth, The Old Testament Pseudepigrapha. Vol. 1. And Vol. 2. (New York; London: Yale University Press, 1983) for the largest collection of these writings in one volume.

  [9] Francis I. Andersen, “Enoch, Second Book Of,” ed. David Noel Freedman, The Anchor Yale Bible Dictionary (New York: Doubleday, 1992), 516–517. Philip S. Alexander, “Enoch, Third Book Of,” AYBD, 524.

  [10] George W. E. Nickelsburg, 1 Enoch: a Commentary on the Book of 1 Enoch, ed. Klaus Baltzer, Hermeneia—a Critical and Historical Commentary on the Bible (Minneapolis, MN: Fortress, 2001), 1, 9.

  [11] John J. Collins, “The Jewish Apocalypses,” ed. John Joseph Collins, Semeia 14 (1979): 22.

  [12] John J. Collins, “Apocalypses and Apocalypticism: Early Jewish Apocalypticism),” ed. David Noel Freedman, The Anchor Yale Bible Dictionary (New York: Doubleday, 1992), 283.

  [13] Most ancient written texts are preceded by many years of oral tradition. So the date of composition or even the date of the latest manuscript is not indicative of the true age of the text, which is probably much older. In other words, they didn’t just make up a book of Enoch around 300 to 200 B.C., they were transcribing oral traditions and maybe even written sources that were much more ancient.

  [14] Nickelsburg, 1 Enoch: a Commentary, 7. Also, E. Isaac, “A New Translation and Introduction,” in The Old Testament Pseudepigrapha, vol. 1 (New York; London: Yale University Press, 1983), 7.

  [15] Nickelsburg, 1 Enoch: a Commentary, 7.

  [16] George W. E. Nickelsburg, “Son of Man,” ed. David Noel Freedman, The Anchor Yale Bible Dictionary (New York: Doubleday, 1992), 139.

  [17] Nickelsburg, 1 Enoch: a Commentary, 7.

  [18] James C. VanderKam and Peter W. Flint, The Meaning of the Dead Sea Scrolls: Their Significance for Understanding the Bible, Judaism, Jesus, and Christianity, 1st ed. (New York: HarperSanFrancisco, 2002), 196.

  [19] Devorah Dimant, “The Biography of Enoch and the Books of Enoch,” Vetus Testamentum, 33:1 (1983), 16; Loren T. Stuckenbruck, “The Early Traditions Related To 1 Enoch From The Dead Sea Scrolls:An Overview And Assessment,” The Early Enoch Literature: Supplements to the Journal for the Study of Judaism, Ed., Gabriele Boccaccini and John J. Collins (Boston: Brill, 2007) 59-63.

  [20] Translations of the fragments and their summary can be found in Michael O. Wise, Martin G. Abegg Jr., and Edward M. Cook, The Dead Sea Scrolls: A New Translation (New York: HarperOne, 2005), 290-295.

  [21] Roger T. Beckwith, The Old Testament Canon of the New Testament Church and Its Background in Early Judaism (London: SPCK, 1985); F.F. Bruce, The Canon of Scripture (Downers Grove: IL, InterVarsity Press, 1988).

  [22] Beckwith, The Old Testament Canon, 111.

  [23] Gleason Archer Jr., A Survey of Old Testament Introduction, 3rd. ed. (Chicago: Moody Press, 1994), 41.

  [24] Richard J. Bauckham, 2 Peter, Jude, vol. 50, Word Biblical Commentary (Dallas: Word, Incorporated, 1998), 96.

  [25] Richard N. Longenecker, Biblical Exegesis in the Apostolic Period, 2nd ed. (Grand Rapids, MI; Vancouver: W.B. Eerdmans; Regent College Pub., 1999), 45, 137.

  [26] Bruce, Frederick Fyvie (2010-11-17). The Canon of Scripture (p. 43). Intervarsity Press - A. Kindle Edition.

  [27] Geoffrey W. Bromiley, ed., The International Standard Bible Encyclopedia, Revised (Wm. B. Eerdmans, 1979–1988), 799.

  [28] Beckwith, The Old Testament Canon, 479-481

  [29] Nickelsburg, 1 Enoch: a Commentary, 71-82.

  [30] Charlesworth, The Old Testament Pseudepigrapha, 62.

  [31] E. Isaac, “A New Translation and Introduction,” in The Old Testament Pseudepigrapha, vol. 1 (New York; London: Yale University Press, 1983), 8.

  [32] Tertullian, “On the Apparel of Women,” in The Ante-Nicene Fathers: Fathers of the Third Century: Tertullian, Part Fourth; Minucius Felix; Commodian; Origen, Parts First and Second, ed. Alexander Roberts, James Donaldson, and A. Cleveland Coxe, trans. S. Thelwall, vol. 4 (Buffalo, NY: Christian Literature Company, 1885), 15.

  [33] Justin Martyr, “The Second Apology of Justin,” in The Ante-Nicene Fathers: The Apostolic Fathers with Justin Martyr and Irenaeus, ed. Alexander Roberts, James Donaldson, and A. Cleveland Coxe, vol.
1 (Buffalo, NY: Christian Literature Company, 1885), 190.

  [34] E. Isaac, “A New Translation and Introduction,” in The Old Testament Pseudepigrapha, 8.

  [35] Nickelsburg, 1 Enoch: a Commentary, 102.

  [36] Robert C. Newman, “The Ancient Exegesis Of Genesis 6:2, 4,” Grace Theological Journal 5,1 (1984) 26.

  [37] The Chicago Statement on Biblical Inerrancy and Exposition states, “We affirm that inspiration was the work in which God by His Spirit, through human writers, gave us His Word.” http://www.bible-researcher.com/chicago1.html accessed Jan. 26, 2014.

  [38] The Chicago Statement on Biblical Inerrancy and Exposition: “Although the human writers' personalities were expressed in what they wrote, the words were divinely constituted,” and “We must pay the most careful attention to its claims and character as a human production.” http://www.bible-researcher.com/chicago1.html accessed Jan. 26, 2014.